TudorFilms presents an action packed gore fest, following regular guy Ed (Marcus Carroll) who awakes one morning to find that his Nan (grandmother) has become one of the living dead. Trapped in his home, Ed struggles to handle the situation. With help from his friends, Ed tries to survive the day, but as his Nan becomes stronger, Ed is battling to keep his house zombie free, stay alive and save the day. “儿童村”是(shì )一(💾)个全部由孤(gū )儿组成的神秘组织，在(zài )黑势力的推动下一次又(yòu )一次地(dì )犯下不可饶恕(😌)的(de )罪孽，他们十年(nián )前犯下(xià(🏌) )一起灭(miè )门案让雅(yǎ )凡成为(wéi )遗孤。年幼的她(tā )隐忍十(shí )年，决心让这群(qún )凶手血(xuè )债血(🔐)偿。雅凡以(yǐ )一桩离(lí )奇的奸杀(shā )案为借(jiè )口混入“儿童村(cūn )”内部(bù )，她的美貌及火(huǒ )辣吸(🤠)引(yǐn )了整个“儿童村”的男(nán )人，上演了一(yī )场一女对五男的精彩扑(pū )杀。兄弟反目、强奸未(💽)(wèi )遂、贩(fàn )毒被捕、跳楼自(🎹)(zì )杀，复(fù )仇手段不(bú )断升级(jí )…… 1891年(nián )，后印象(xiàng )派大师(shī )保罗·高更在巴(bā )黎的艺(yì(🔥) )术圈已小有名气(qì )，但为(wéi )文明社会(huì )的虚伪(wěi )与矫情(qíng )感到厌烦(fán )。对于(yú )原始世界的(🎗)渴望(wàng )驱使他(tā )离开家中妻小，来到南(nán )太平洋的大溪地；准备(bèi )好为追寻已久(jiǔ )的自(🚘)然、野性、纯粹的(de )生活与创(🈚)作环境牺牲一(yī )切。忍(rěn )受着经济上的贫(pín )困和精(jīng )神上的孤(gū )寂，高(gāo )更走进(jìn )丛林深(🛳)处(chù )，认识(shí )了当地的毛利人(rén )，邂逅(hòu )了原住民女孩德(dé )胡拉；一段三角(jiǎo )关係也(yě )若(🐭)隐若(ruò )现地缓缓(huǎn )浮出。这座远方岛屿彷(páng )佛是他(tā )灵魂的故土，此(cǐ )处充满(mǎn )生命力的(🔱)人物面貌与地(dì )景线条都成(🤦)为(wéi )他的缪思，激发他创作(zuò )出艺术生涯中最具标志(zhì )性的大(dà )师之作。 十七岁(suì )的坎蒂(🐫)(dì )丝经常做(zuò )梦，她(tā )在发病(bìng )时做的梦(mèng )往往是(shì )最清晰真实的。在一次(cì )梦中，她遇见(😑)一(yī )位正在(zài )梦游的英(yīng )俊男孩(hái )。这个(gè )梦一直萦(yíng )绕在她(tā )脑海中，尤其是(shì )因为她(🕺)(tā )希望逃离现实，活在美(měi )好(🌲)的梦中。她一边想着(zhe )离开这个无聊(liáo )阴沉的海边小镇，另一(yī )边还在震惊于当地一个(gè )男(🙀)孩的(de )失踪事件。“在(zài )北爱尔(ěr )兰问题时(shí )期，这(zhè )里还更(gèng )安全一点(diǎn )。” 坎(kǎn )蒂丝的警察父(👈)亲(qīn )说道，因为当地的恶棍(gùn )团伙不(bú )断惹出暴(bào )力事件(jiàn )，导致(zhì )当地越来(lái )越危险(xiǎ(🍉)n )。坎蒂丝在现实(shí )中遇到(dào )了(👈)一个长得很像(xiàng )梦游男(nán )孩的人，感觉世界从此(cǐ )被点亮。坎蒂(dì )丝虽然迷恋这个惴惴不(🦖)(bú )安的陌生男孩，但后来(lái )得知，他居然是父亲决(jué )心要除(chú )掉的其中(zhōng )一名恶(è )棍。 沈(shě(✖)n )楚冰拥有(yǒu )看清情(qíng )侣们爱情进度条(tiáo )的超能(néng )力，她利用这个(gè )能力开(kāi )设了一家(jiā(🌝) )超能恋(liàn )爱学院(yuàn )，帮助客(kè(💩) )户追求(qiú )爱情，一天她遇(yù )到了三(sān )个奇葩的客户，沈楚冰(bīng )是否能够帮助这三个客(kè )户(🐛)成功获得爱(ài )情，沈楚冰自己的爱情(qíng )又在哪里？ After NASA picks up a trio of mysterious signals from within our own solar system, astronaut Roger Nelson is dispatched on a multi-year solo mission aboard the Magellan spacecraft to investigate the sources. 李天洋和郑(zhèng )月两位(wèi )年轻“小炮儿”在(🧝)执行(háng )神秘任务(wù )时失败(bài )，惹怒(nù )老大闫老(lǎo )板，开(kāi )始了亡命天涯的(de )故事。在找寻货物(🦐)的过(guò )程中，郑月偶遇(yù )发小(🔛)并(bìng )帮发小(xiǎo )找回了失(shī )踪多时(shí )的男朋友。同时(shí )，郑月(yuè )发现了货物的秘(mì )密并明(mí(🐖)ng )白如果不逃离这个地方(fāng )就会丧失性命(mìng )。屋漏偏逢连夜雨，在(zài )郑月准备离开的时候，兄(🥒)弟和(hé )发小的被闫老板(bǎn )抓，郑(zhèng )月不得不(bú )与闫老(lǎo )板正面(miàn )冲突，随(suí )之而来(lái )的却(🤩)是越来越多(duō )的麻烦(fán )。 2017“CCTV网络(👦)春晚”将现代(dài )人的互联(lián )网新生(shēng )活搬上(shàng )了荧屏，并借助(zhù )高新科技应用“连接”台前幕(🍖)后、线上(shàng )线下的(de )所有人群，为观众“送(sòng )年货，送祝福(fú )”。在舞台设计上，多(duō )部手机屏成就(🍶)了舞台大(dà )屏的炫目感觉，360度全景(jǐng )视觉空(kōng )间体系完(wán )成了最(zuì )广阔的(de )视觉效果(guǒ )；(🐭)在节(jiē )目环节上，网络(luò )春晚(😯)开(kāi )启了“实时欢唱(chàng )”的直(zhí )播互动环节，歌(gē )手大张(zhāng )伟通过云(yún )视频技(jì )术与杭州东(📣)站的(de )旅客直(zhí )播连线，明星通(tōng )过直播(bō )技术实现了与粉丝的实(shí )时互动。 Ever since the death of her first dominant, William Frederick, Emma has struggled to adjust to life as a submissive without him. Unable to form lasting connections with other men, Emma chooses to abandon the lifestyle completely. But, her world is flipped upside down when she meets Mariah, a sassy young woman eager to explore the BDSM world. Seeing much of her former self in this young woman, Emma takes it upon herself to educate Mariah about life as a submissive and volunteers to act as her temporary dominant. However, things become complicated when Mariah grows attached to Emma and wants their arrangement to become a permanent one. Will Emma be able to walk away from the life she always loved and a girl who desperately needs her? Or is there more in the BDSM world for Emma than she ever fully realized? Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.