时间回到嘉(🕣)祥担任店长的(⚓)猫娘蛋糕店『(😙)La Soleil』开张的半年(🎃)前，还是小猫的巧(🎂)克力跟香草刚(🎼)来到水无月家(🕡)(jiā )，还没(méi )跟其(🥩)他(tā )猫娘们(men )打(📶)成(chéng )一(yī )片的(😺)(de )时(shí )候。开(kāi )始(⌛)用(➰)(yòng )「主人(rén )」(🚥)称呼嘉(jiā )祥，并(📱)(bìng )且在水(shuǐ )无(📻)月家(jiā )度过第(✡)(dì )一个圣(shèng )诞(🚵)节的(de )两人，和嘉(🔪)祥(xiáng )立下了(le )一个(🥢)约(yuē )定。NekoparaOVA的(de )募资(🆒)达标感谢礼，将(😸)为各位送上一(🕞)段全新前传！ Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo. During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories. The Leprechaun returns once again, when a group of girls unwillingly awaken him, when they tear down a cabin so that they can build a new sorority house. 阿(🥏)呆和阿瓜是一(🍜)对非常要好的(🏍)朋友，他们觉得凭(🍩)借自己的力量(🎅)可以修理一切(🤓)，有麻烦发生时(💲)，只要开动(dòng )脑(📻)筋，利用手(shǒu )边(🉑)的(de )工(gōng )具都(dō(🐸)u )可(🔻)(kě )以搞(gǎo )定(dì(🔊)ng )。人(rén )们(men )总会(huì(🔈) )被(bèi )他们的(de )“错(💔)误(wù )”行为(wéi )逗(🍡)笑，觉得他(tā )们(🤦)有点(diǎn )笨，大(dà(🥛) )部分时(shí )间会把(🌡)(bǎ )事情搞(gǎo )的(📹)更糟(zāo )，但是(shì(🥁) )呆瓜兄弟总能(🐼)自己做的事情(👅)中找到“自己的(😓)路”，并对自己努(📭)力之后的结果感(🎯)到满意。因为他(🍢)们坚信一句话(😼)“伟大的创造在(⤴)最开始的时候(🆒)也不是完美的(🤛)(de )，关键(jiàn )的是开(⬇)(kā(👍)i )始的勇(yǒng )气”。 藝(🏹)術(shù )家(jiā )自古(🎍)(gǔ )皆(jiē )寂寞(mò(🕚) )或(huò )許是境(jì(🐁)ng )界，人(rén )到中年(🅿)(nián )萬事憂(yōu )則(⚽)是現(xiàn )實。在(zài )畫(🙉)室洋(yáng )洋灑灑(🚍)(sǎ )呈現自(zì )由(🔏)雄風(fēng )的裸男(🌒)(nán )畫作令(lìng )他(🍍)一舉成名，在家(🏒)面對前妻懷着(🆙)新歡骨肉、與女(➰)兒相處尷尬卻(📢)令他一籌莫展(💘)。貝蒙特的寂寞(🦐)，在於如何在著(➗)名畫家與單親(⚽)爸爸雙重身份(🍮)、藝術創作與家(💊)(jiā )庭生活(huó )之(✨)間取(qǔ )得平衡(🙅)(héng )。維(wéi )羅(luó )（(🕤)《電(diàn )影就(jiù )在(🈶)(zài )街角(jiǎo )》，35 屆）(⏰)找來合(hé )作多年(🦗)(nián )的編劇(jù )兼(🔦)美指(zhǐ )好友對(🏷)(duì )號入座(zuò )，還(👟)原(yuán )藝術家(jiā(🚻) )有血有(yǒu )肉的(🚴)矛(máo )盾本性(xì(👔)ng )，在出世與入世的(🚦)兩難外，毋忘點(🐸)點超現實的幽(🎤)默。