牧(mù(🏺) )江村郊(♌)野山藏(👍)有一怪(🏼)，赤面獠(⛄)牙，名曰(😍)垃圾人(🎻)，他(tā )身(🕑)(shēn )世(shì(🚾) )神(shén )秘，以垃圾为食，日遇村妇马(👁)秀娟，将(🐖)其掳掠(🦏)。马(mǎ )秀(🎤)(xiù )娟(juā(👗)n )通过与(🧘)垃圾人(🏜)的交往(😲)(wǎng )，发(fā(🤡) )现(xiàn )他(tā )虽丑陋骇人，却心地(🔠)单(🎊)纯。但天不遂人愿，“单(dān )纯(chún )”的(✈)(de )垃圾人(🏾)却将马(😼)秀娟视(🎸)为配偶(🙋)，囚于废(🦃)弃厂房(🛑)。矿山(shā(🌲)n )老(lǎo )板(💊)(bǎn )徐(xú )东南徐西北两兄弟欲(yù(🥉) )借(jiè )炸(🏍)(zhà )山(shā(🏪)n )除垃圾(🖕)人之名(🏦)在野山(🤑)非法拓(✖)矿，全然(👢)不顾马(⛓)秀娟(juān )安(ān )危(wēi )。而(ér )垃圾人通过马秀(🔒)娟逐渐(😳)了解人(🧥)类的尊(🤚)重与爱(🍺)，遂(suí )将(🈲)(jiāng )其(qí(🈂) )放(fàng )归(🐄)牧江村。马秀娟得(dé )知(zhī )徐(xú )东(dōng )南(nán )阴谋后为救垃圾人与之抗争(🧙)，最终被(🍄)绑于山(🔀)上，垃(lā(💂) )圾(jī )人(🥚)(rén )为救(🥉)马秀娟(🙃)与徐东(😚)南死命相搏，后被徐东南炸死。环(huán )保(bǎ(🕠)o )组(zǔ )织(✨)声明垃(⛽)圾人出(💧)现乃(nǎ(🕥)i )牧(mù )江(🗒)(jiāng )村(cū(👢)n )的环保(📧)意识薄弱之恶果，垃圾人本无罪，罪在人(❣)(rén )心(xī(⏳)n )对(duì )环(🕊)(huán )境(jì(🌡)ng )的态度(🗺)，并呼吁(🔚)民众善(🐤)待环境(⏲)。 “NO BORDER 2D×3D” をキャッチフレーズに掲げ、2Dと3Dの境(jìng )目(mù )をなくすクリエイ(🔎)ティブ(🏵)な活動(🌚)を目指(✳)す３DCGプ(🕜)ロダク(📘)ション(🗺)“Picona Creative Studio”。本作は(⏳)どんなものでも捨ててみせるゴミ捨(🍿)て屋(wū(🈲) )コンビ(🕣)と、魔(🍔)法を捨(🌿)てたい(🍧)魔(mó )女(🐸)(nǚ )が繰(🚲)り広げる、ファッション× ポップ×(❕) アニメ(🖖)をキー(📋)ワード(📷)に魔法(🛃)と科学(🕸)を絡み(🍔)合わせ(♉)たスラップスティック・アニメーション。同(tóng )社(shè )が長(zhǎng )年温め(🤭)てきた(🥡)オリジ(🖍)ナル企(😋)画が、(🎒)ついに(🏢)実現！ 遭(💘)(zāo )到(dà(🗞)o )友(yǒu )人設局而欠下大筆債(zhài )務的張父(🐁)，逼不得(🎷)已帶著(💾)一家(jiā(😽) )四(sì )口(🌮)(kǒu )承(ché(🕑)ng )租花蓮(🤗)的一處(📭) 凶宅，此(cǐ )處(chù )過(guò )去曾發生了駭人聽(🧟)聞的五(🛬)子命案(🤺)。初入凶(👼)宅的當(🎆)(dāng )天(tiā(🕙)n )，一(yī )些(🍇)(xiē )若有(👼)似無鬼影幢幢，加上張父突如其來的搬家舉動(dòng )，惹(rě )的張母與大姊(🕹)心裡不(🔽)(bú )愉(yú(🌑) )快(kuài )。即(🛌)(jí )使向(🕢)張父抱(🤒)怨，鐵齒(〰)的張父(🛷)以一貫不信鬼神的態(tài )度(dù )，予(yǔ )以拒(🥄)絕。 该片(💶)改编自(🔐)(zì )脱北(🚂)女性的(🎧)真实故(🌏)事，讲述(🛬)的(de )是(shì(📮) )抛(pāo )开(kāi )家人，逃往韩国的母(mǔ )亲(qīn )与(🍵)(yǔ )憎(zē(🏉)ng )恨自己(📿)的儿子(🤷)在16年后(🔒)重逢的(📤)故事。 这(🎅)部现代(🎃)童话(huà )故(gù )事(shì )围(wéi )绕(rào )一个女孩在一座神秘城市中的奇幻冒险(😡)展开。U2乐(🚛)队(duì )主(♟)(zhǔ )唱(chà(🧠)ng )Bono与维姆(⏭)·文德(🚘)斯共同(🚐)担(dān )任(😅)(rèn )监(jiān )制(zhì )，Bono与威利·纳尔逊操刀原声(🧤)歌曲。 一(🔼)对情侣(🗣)外出(chū(🦗) )度(dù )假(🛺)(jiǎ )，入住(🆘)豪宅，然(⏪)而，当他(🤡)们半夜醒来，却发现自己躺(tǎng )在(zài )一(yī(💴) )个(gè )处(🤼)处充斥(🛑)着恐怖(⛸)氛围(wé(🖍)i )的(de )荒(huā(⛪)ng )弃(qì )诡(☔)宅中…(🔒)…他们意欲逃离，然而却始终逃不出去，努(nǔ )力(lì )奔(bēn )逃，但逃往的地(❎)点却还(🧣)是这所(🥩)诡异的(🚥)荒宅…(⏹)…更恐(💧)(kǒng )怖(bù(🎪) )的(de )是，当(👏)他们再度回到这(zhè )座(zuò )诡(guǐ )宅(zhái )，却发(🚜)现，时间(🛫)跟他们(🥋)走出去(🥋)的时间(💻)，一样…(🤱)… “NO BORDER 2D×3D” を(🥀)キャッ(🤽)チフレーズに掲げ、2Dと3Dの境目をなく(🍜)すクリ(🏅)エイテ(🍟)ィブな(👣)活動を(🍟)目指(zhǐ(🌡) )す３DCGプ(🐅)ロダク(🎷)ション“Picona Creative Studio”。本作はどんなものでも捨ててみせるゴミ捨て屋コンビと(🔅)、魔法(📩)を捨て(👊)たい魔(👋)女が繰(🥋)り広(guǎ(⚫)ng )げる、(🐄)ファッ(🍃)ション× ポップ× アニメをキーワー(🚸)ドに魔(🥍)法と科(🚄)学を絡(🏳)み合わ(♿)せたス(🆙)ラップ(😰)スティ(❗)ック・アニメーション。同社が長年温(🖇)(wēn )めて(😲)きたオ(👃)リジナ(🥪)ル企画(🍱)が、つ(🚤)いに実(🗨)現！ 阿呆(🛋)和阿瓜是一对非常要好的朋友，他们(men )觉(jiào )得(dé )凭(píng )借自己的力量可(💸)以修理(⬆)一切，有(💗)麻烦发(🍂)生时，只(🛡)要(yào )开(🚄)(kāi )动(dò(〽)ng )脑筋，利(⬇)用手边的工具(jù )都(dōu )可(kě )以(yǐ )搞定。人(📫)们总会(🏁)被他们(😁)的“错误(〽)”行为逗(😠)笑，觉(jià(⏲)o )得(dé )他(😻)(tā )们(men )有(🔃)点笨，大部分时间会把事情搞的更糟，但(✖)是呆瓜(🌔)(guā )兄(xiō(⬛)ng )弟(dì )总(🎦)(zǒng )能自(💵)己做的(🚥)事情中(🚄)找(zhǎo )到(🎽)(dào )“自(zì )己的路”，并对自己努力之后的结(😧)果感到满意。因(yīn )为(wéi )他(tā )们(📹)(men )坚信一(🍸)句话“伟(👶)大的创(👐)造在最(🚽)开始的(🌮)时候也(🕡)不是完(⛺)(wán )美(měi )的(de )，关键的是开始的勇气(qì )”。 During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories. Tommy DiNello, a freelance videographer, moves back to North Branford Ct. from New York City after two years on his own. His extremely close cousins, Marie and Dom Jr., are reluctantly accepting their father's new young foreign wife Varya, just two years after their mother's death. Since Tommy's parents moved to Florida when he was away, he has no choice but to stay with his Uncle Dominic and cousin Marie while battling memories of the reason he left town in the first place. His dear friend, Angela and him are reunited, This is bittersweet as she is the only one with clear knowledge and witness of his past.